ATG PLAYWRIGHTS
Playwriting members of ATG are welcome to
join the Playwrights Group for monthly meetings. Check this
page for upcoming public readings and other events related to ATG
playwrights and their work. For more information about the
group, contact Mark Dunn at Montydunn (at) comcast.net
Plays by ATG Playwrights Available for Production
The following are listings by member
playwrights of available plays for which they own the rights, along
with description and contact information. (Note that email
addresses are differently formatted to reduce electronic trolling,
and should be converted to standard format when used.)
ROBERT F. BENJAMIN
contact: benjamin4
(at) cybermesa.com; 505-672-1544
PARTED WATERS (Drama; run-time 1:40/
3m (Hispanic) 1w) Commissioned play; world
premiere is March 2009; seeking second production
"Crypto-Jews" are Hispanics whose ancestors
converted to Catholicism during the Inquisition, but they retained
vestiges of Judaism. In this contemporary drama set in New Mexico,
three generations of Hispanics struggle with crypto-Judaism,
assimilation and anti-Semitism. Unaware of his heritage, the
charismatic Miguel (age 30) runs for public office, counter to his
father’s advice, but encouraged by his whimsical grandfather.
Political debate provokes him to unknowingly insult his family’s
ancestry. His struggle to recover politically threatens to split his
family as his anguish becomes despair.
TIME ENOUGH (Full-length drama; run
time 80 min.; 1m (60s); 1w (60s); 1 interior set
) Production history: 2 full stage productions at
community theaters (June 2006, March 2008) and 4 touring
productions.
Late-in-life romance.
A conventional, recently widowed woman meets a whimsical codger at
three in the morning. Courtship blossoms when she realizes who he
is, but unresolved grief and dark secrets entangle the relationship,
forcing each to make an excruciating decision.
PHIL BOCK
contact: 890-0438
EXPOSED
(Two Act Drama/ 2M, 2F, one teen aged)
Jerry and Marge
are camping in a muddy site in SW New Mexico when the campground is
invaded by unseen violent persons. A young girl begs for help but
Jerry is reluctant to use his gun. Act Two takes place in an
Albuquerque hospital room where we learn the consequences of his
action. [Ideally, Act One should be staged outdoors around a tent
with Act Two moving into a theater, but both could be simply staged
indoors
AN OLD, OLD
STORY (Drama in 11
scenes/ 6m, 3f; preferably Hispanic)
A retelling of the Electra story set in
Central America in the 1990s. A reporter narrates the events leading
to “Elena’s” revenge for the murder of her father (a General) and
some unexpected consequences. Strong scenes for
the five leads and for a group of young dissidents.
(Suitable for NHCC.)
LOVE IN THE
BOSQUE (Musical for 1m,
2f adult voices; plus 3 teen aged singers.
Optional chorus of young people.)
In the Bosque
del Apache, Bob and Sandy Crane, “mates
for life,” are about to migrate with their young son (Denny Crane)
when Michiko, a Japanese Princess Crane appears. Bob saves her from
a coyote and she tries to persuade him to fly off with her. Things
are not as they seem; a trio of Predators provides humor (and
ecological information); Eight songs plus optional choruses for
young Ducks and Geese.
YELLOW CAB
(Multiple short scenes for 4m, 3f or more)
This true
“memoir” of a night driver in Albuquerque requires little more than
4 chairs. It was successfully staged at the ADOBE Theater in 2008
and can be revived in whole or part with the same or different cast.
Humor alternates with drama. Low royalties.
JIM CADY
contact:
Jim Cady (at) earthlink.net
GLORIA
(book for a musical: need
composer, lyricist/ 3m, 3w, chorus)
Dustbowl Nebraska.
A young woman, Gloria, flees a broken down farm after her evil
stepparents try to kill her and strikes out on foot to fulfill her
life long dream of putting flowers on the floats at the Pasadena
Rose Parade. But misadventures and trusting the wrong people land
her in Chicago. Broke and humiliated she takes a job at John
Doublewoods toothpick factory where she meets her first love, Ralph,
a budding artist. Their romance is just getting started when a
unique situation catapults Gloria into the national spotlight. She
becomes an American Hero and a very rich woman. Ralph is cast aside
as well as others who gave her a hand up when she needed it. The
evil stepparents arrive on the scene and demand their share of the
profits. But by this time Gloria’s fans have turned against her; too
many broken promises and too many broken products. She flees an
angry mob that wants to string her up. Mr. Doublewood intervenes and
takes her on a Dickensian tour of her broken empire. She comes to
realize that it has been her greed and false generosity that are
responsible for the cancellation of the Pasadena Rose Parade. But
it’s too late to save the parade. Can Ralph save Gloria?
Needs
Composer/Lyricist
LOU CLARK
contact: freewriting (at) hotmail.com
THE
POLITICS OF HAIR
(One act
comedy/ 1w)
Premiere
Production – The Box Performance Space, Albuquerque, 2008
Staged
Reading Performance – The Black Box Theatre, Las Cruces, 2008
Staged
Reading Performance – University of New Mexico, Albuquerque, 2007
Workshop
Production – Sol Arts Theater, Albuquerque, 2007
Workshop
Production – OWS Festival/Emerging Artist Theater, New York City,
2007
Reading
Performance (selections) - The Cell Theater, Albuquerque, 2007
Reading
Performance – VSA N4th Art Center, Albuquerque, 2006
This is a solo play about identity in
relation to hair, designed for one actor to create 13 different
roles in approximately 50 minutes. In the play, set in
Seattle, Dani, is a thirty-something year old lesbian who goes
through a major breakup. Dani decides to go to Alaska to get
over her ex-girlfriend but doesn’t want to bring a hair dryer. She
visits the Aria Salon in the trendy Capitol Hill neighborhood to see
her longtime friend and hairdresser, Emmanuel. Emmanuel is her
Obi Wan Kenobi, her Yoda. Together they make the transition
from medium-length to short hair. Dani’s soul is transformed,
leading her to newfound happiness and acceptance of herself.
WONDERDOG
(Full length
for elementary school audiences/ 4w, 2m)
Second
Production – Pollyanna Theater at the Long Center, January 2009,
Austin
Premiere –
University of New Mexico Touring Outreach, 2004, Albuquerque
WONDERDOG
is the story of a young girl, Katie, who is struggling to make her
way in the world after the untimely death of her father.
Just when things look darkest for Katie she
meets an unlikely new friend, a talking dog, Pug. Katie
and Pug share the bond of what it means to be different.
Through their friendship they support each other to be brave in the
face of adversity and to find acceptance in a new home.
WILLIAM DERRINGER
conctact:
DerringerBak (at) aol.com
APRON
STRINGS
(Full Length drama/ 7w 6m)
Seeking world
premiere
When does a
mother stop loving and caring for her children? Never!
It started in
the old country many years ago with a romantic sixteen-year-old girl
who allowed herself to get swept away by a handsome dashing dreamer.
A man so in love with her and so afraid of losing her that he filled
her mind with promises of riches in the new country. When they
arrived here all he had to offer her was his love, one vegetable
pushcart and a life of poverty. Did that discourage her? No! She
took this reality and while she was carrying her first child she
rolled up her sleeves and with persistence and determination worked
side by side with her dashing dreamer to make a better life for her
family. Her daughters, her CHICKS.
She was like so many other matriarchs coming to this country sturdy
stock. You’ll find yourself captivated by Sarah and her Chicks. This
play will wrap its arms around you. A play that
women as well as men can relate to. It rekindles the love of
the family. It fulfills our need to remember those who will always
be in our hearts. Sarah is suddenly afraid that she doesn’t have
much longer to help solve the problems of her daughter’s lives. To
add to this is a gigantic problem of her own her upstairs border,
Hyam, who was once the man that her family had arranged for her to
marry, is now after all these years pursuing her with a passionate
fervor. He’s obsessed with making her his wife.
LOVE, IT’S
AGELESS (Full length -
ROMANTIC COMEDY/ 1w 1m)
Seeking world premiere
Hannah and
Spencer two lonely seniors are seeking and needing a new quest of
romance
to rekindle their
long lost passions. They both have a need and a yearning to feel
young at heart again. They meet at the vegetable and lettuce
department of their favorite New York City supermarket and through a
teasing and testing introduction, without their knowing it; they are
both being blessed by this initial encounter. You ask yourself - Can
a meeting at a supermarket bring back to two embittered needing
hearts, passion, romance, and a new found curiosity that stirs them
into the next level of their life? Follow along with them as they
reach out to each other and both realize in a joyous way that life,
love and passion, blossoms at any age.
THROUGH
ERNIE’S EYES (Full length
comedy drama/ 9m 7w)
Seeking world
premiere
A comedy drama
based on the writings of Ernie Pyle during the depression. Ernie was
traveling around the country interviewing common people for
newspaper. He was showing how resilient the common man was and how
they were surviving in the 30’s. The stories are very character
driven, you will laugh, cry, be uplifted
and see how strong they were. Ernie had a way with people, he knew
how to listen and get the story out of people who did not know they
were being interviewed. Yes this is fiction but there is a level of
truth underneath, they were the beginning of the greatest generation
that this county had.
DALE DUNN
contact:
dwdunn (at) mindspring.com
BODY BURDEN
(Full length drama/ 3w 3m)
World Premiere:
September 14 – October 7, 2007
Directed by Lou
Clark
Adobe Theater,
Albuquerque, NM
Kate Pendleton
is on the road, going nowhere. She has recently lost a baby, a
husband and her job. She ends up back at her childhood home in
Los Alamos, New Mexico, where she is taken in by her divorced
parents: Fran, a mother in denial, and Will, a father fighting bouts
of inexplicable rage. With the help of an old friend from the
nearby pueblo of San Ildefonso, as well as the ghost of Robert
Oppenheimer, and a time-traveling Girl Scout, Kate sets out to piece
her life back together, uncovering the hazards of growing up in the
birthplace of the atomic bomb.
“A provocative
and insightful script…” The Albuquerque Journal
“An emotionally
charged story – delivers a chilling truth…” Local IQ, Albuquerque,
NM
“A play that will haunt you long
after the lights go out.
It deserves the widest possible audience.” Linda
Lopez-McAlister for KUNM/NPR Radio 89.9 FM, Albuquerque, NM
CROCODILE
LOVE (Full length drama/
2w 4m)
Seeking world
premiere
A young woman
follows her husband to South Africa to visit him on the set of his
latest film. When she arrives, she discovers not only a
country in the throes of overcoming Apartheid, but a husband who has
been cheating on her with a young actress. Desperate to find a
way out, she learns ancient tribal rituals that teach her the art of
magical transformation, leading her to newfound freedom and
independence.
MARK DUNN
contact: Montydunn (at) comcast.net
OCTET (A
full length “concert play” for three actors [2w 1m] and eight
musicians)
Premiere with recorded music, 2000 by New
Jersey Repertory Company, Long Branch, NJ; “acoustic” premiere by
Community Theatre League, Williamsport, PA, 2004.
A non-traditional marriage of theatre and
music, this dark comedy is woven through a classical music chamber
concert with original integrated music by Merek Royce Press.
Octet tells the story of journalist Sally Cubbage and her
ill-fated visit to a mental institution populated by men and women
who speak and communicate only through their music. A tale of
art pitted against intellect, heart against head, and the language
of words clashing with the pure language of music and emotion.
THE ODD BOY
(Full
length comedy/ 3w 3m)
Seeking world premiere
Multi-millionaire Theodore Grayson has died
and left his theatre, the Grayson Playhouse, to his former houseboy
Jeremy. As the theatre’s new artistic director, the ostensibly
naive and under-educated young man turns the current production
Dawn in Her Eyes upon its head, sending the theatre’s Lunt and
Fontaine aspirants, Mona and Reggie, into near-apoplexy. And
Jeremy isn’t stopping there; for the next production he wants to
stage Harvey so that you actually see the rabbit.
OH REVOIR,
MIRABEAU
(Full length black comedy/ 5w 3m)
Nominated for
Best New Play of the 1992-93 season by the Denver Drama Critics
Circle.
Premiered at the Changing Scene Theatre, Denver,
CO, 1993.
Mirabeau, Texas as remembered by
Grace Dobbs, one of the few who made it out in one piece -- a very
dark comedy about broken dreams, broken hearts, and the lengths to
which people go to cope.
T.J. OR THE
PUBLICK AND PRIVATE INTRIGUES OF THOMAS JEFFERSON AND HIS
ILLUSTRIOUS CIRCLE
(Full
length quasi-historical comedy/drama; 4w 7m)
Seeking world premiere
A partially revisionist
and occasionally irreverent historical "chamber epic."
Set in 1804, the play swirls among the doings and undoings of
President Jefferson, his slave mistress Sally Hemings, Dolley and
James Madison, explorers Lewis and Clark, and arch-rivals Aaron Burr
and Alexander Hamilton. Broadly scoped but intimate in
presentation, the play captures the U.S. in its stumbling
toddlerhood through the intricately interwoven lives of all of the
above, culminating in the infamous duel between Burr and Hamilton.
VAN CHOC
STRAW
(Full
length comedy/drama 4w 1m)
Seeking
world premiere
Althea
Witlin has one jigsaw puzzle among her large collection that she’s
never worked. It contains 5000 pieces and she has less than a
day to finish it, because poor health has forced her to move in with
her younger sister … without her puzzles. A bittersweet comedy
about tenuous family ties and the often stronger bonds of friendship
that lattice the final years of our lives.